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Amir Hariri

Amir Hariri uses a forensic survey of indirect impressions and relies heavily on personal/collective memory to inquire if visceral qualities of decay influence our experiences, memories, and, ultimately, our sense of history. He uses decay to inspire his deconstructive abstractions and interventions. His interest in the nuanced qualities of decomposition stems from his fascination with abandoned and dilapidated buildings that formed his childhood playgrounds. More recently, due to the pandemic and the devastation being caused by climate change, his approach has been broadened to also consider how contagion, both external and self-inflicted, can turn familiar configurations into abstracted and, at times, alien depictions that highlight the intrinsic qualities of traumatic amalgamation.
Amir Hariri was born in Tehran, Iran, and immigrated to the United States to attend college in the early 1990s. After earning a master's degree in engineering from Cornell University, he spent over a decade working on design projects from concert halls and museums to glass designs for Apple. Amir also spent 5 years studying painting and printmaking at the Art Students League, during which time he served as an assistant instructor and as a member of the board. He has exhibited nationally and internationally, with pieces included in public and private collections in the United States, Italy, Spain, Hong Kong, and Japan. In New York, he has exhibited at various venues, including St. Thomas Aquinas College, Children's Museum of Manhattan, Denise Bibro Fine Art, FIT, the Painting Center, PS 122 and Wave Hill. Amir's work has been written about in publications such as Arte Fuse, Pank Magazine, the Woven Tale Press and Whitehot Magazine. Recent awards include the Museum of Arts and Design and NARS Foundation residencies, Smack Mellon 'Hot Picks' and the NYFA Fellowship.

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